The S1 has the Fujifilm-style dual-hinged display that flips up and down and can also hinge along its right edge. The most obvious of these is the more extensively articulated rear screen. Those buttons are themselves significant: they're easy to find and there should be one that's easy to access, no matter how rigged-up your camera is. These differences start to add up when you press one of the large red record buttons on the S1H to start capturing video. It's actually a rather larger camera with a host of little changes to make it more videographer friendly. The S1H looks a lot like the S1 until you compare them side-by-side. It's essentially mimicked on the camera's top-plate and gives you at-a-glance confirmation of your shooting settings. This is borrowed from Panasonic's Varicam models (which appear to have learned a lot, in turn, from Arri's professional cameras). The other major difference is that the S1H has a new settings display mode. The S1H has gained an Arri-style display, by way of Panasonic's Varicam line This not only makes it easier to get to the modes you want but also reduces the risk of you accidentally selecting the wrong mode and shooting the second half of your project in the wrong bit-depth or aspect ratio. The large number of video modes on the S1H has prompted Panasonic to add the ability to create a customized 'My List' set of modes.
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